'I do not wish to be an activist, but an instigator; I do not wish to answer questions and demand change, but rather to ask questions and ignite thought' - Jeremy Pickard
My approach to Eco-Theatre:
Other than creating climate-focused narratives through the lens of hyper-local socio-economic issues, my practice in Eco-Theatre also considers the various degrees of an integrated ecological practice, such as green practices, or even content-recycling. My current research interest is on the systems that organise the world through food, with a focus on Southeast-Asian cuisine and culture.
See below for selected projects:
1. Extinction Feast - an in-person, or digital theatrical adventure
2. Poppy - an interactive zoom play for youths
3. Recess Time - a participatory dining experience
4. Practice Tuckshop - a programming space
2022 Open Call:
Pickle Party - if you have an interest in fermentation techniques and food science, I would love to collaborate with you!
If you are looking at a problem that can be solved within your lifetime, then you are not thinking big enough.
A commission by Singapore Writer's Festival 2021
Inspired by Eating Chilli Crab in the Anthropocene, Extinction Feast is a humorous tale about the disjunct between our relationship with our favourite fish dishes, the price we are willing to pay, and all the annoying micro-decisions in-between. Assuming you have the luxury of choice, what would you do?
Extinction Feast is available in English OR Mandarin, in two different formats - in-venue or digital.
Extinction Feast (In-venue): Combining performance, video, while dining on tiny hors d’oeuvres, we question if our voracious appetite for consumption can ever be sated.
Extinction Feast (Digital): Combining interactive elements with live performance, this digital theatre production pokes fun at the age-old conundrum of what it means to Do Good in the age of consumption.
Virtual International Tour 2022
In collaboration with XIMI Technology
Created by The Theatre Practice and Good Work, XIMI is an integrated hardware and software
system that delivers a streamlined digital theatre space for seamless livestream performances.
The light-weight microcomputer is designed to address two main challenges in digital production:
Latency in live audio-visual feed and a lack of “backstage” space.
Poppy is 1 of 6 international projects selected to test the XIMI prototype in its first phase of development.
Eco-Theatre x Digital Theatre
The future of touring & its concerns about sustainability is as much about communicating ecological narratives, as creating hardware and software that enables different ways of creation to be possible. With XIMI, artists can leverage on a platform specific to needs of live performance, i.e. not a video conferencing tool, to enable possibilities of international collaboration. The narrative of a sustainable eco system isn't simply about calculating carbon cost, but the creation of different possibilities.
This mode of thinking is translated into the fact that XIMI is designed to be an open-source software, free for artists around the world to use.
Poppy: A 'made-for-the-internet' Theatre Experiment
[2020 - present]
Responding to theatre doyen Kuo Pao Kun’s Silly Little Girl and The Funny Old Tree, POPPY follows the story of a teenage environmentalist in present-day Singapore. It combines interactive elements, animation, Instagram, Telegram, camera wizardry and live performance to tell a re-imagined tale about loss and the fight to protect what you love.
This live-streamed performance is the first of a long-running advocacy project that hopes to engage young people (ages 14-18) in climate-focused narratives. It can be performed in English, or Mandarin. This performance will be hosted on Zoom and Telegram.
To interact with the performer, please download the app Telegram prior to the show.
Who is Poppy? Check out her instagram profile (@p0_ppys_ok123), or access her page here:
Ang Xiao Ting, FERRY, Zoea Tania Chen, Jon Chan, Joey Cheng, Kuo Jian Hong, Mary Bernadette Lee, Sim Shao Jean, Woo E-hui, Third Street Studio (EL), Edit & Play (CL)
Ang Xiao Ting, Masturah Oli (EL), Ng Mun Poh (CL), Tan Beng Chiak
POPPY would like to thank the following partners and supporters:
National Arts Council Digital Presentation Grant, The Theatre Practice, Nature Society (Singapore) and Jane Goodall Institute (Singapore)
'I thought the discussion at the end was very well executed and prompted meaningful discussions, which I believe was, in part due to the brilliant nuancing of the script and acting. Unlike some 'youth' theatre/projects that, at times, can feel patronising when tackling challenging issues, this piece was highly engaging and in no way felt didactic. It was evident that a considerable amount of research, collaboration and development went behind the scenes, and most importantly, the respect for young people's ability to think and engage in conversations.'
For the international tour version, our creative team will work with local artists to curate the conversation after the performance. It should reflect local anxieties related to the climate crisis.
Tour info: poposays.com
Duration: 80 minutes
Audience size should not exceed 100.
Collaboration with Singapore Chinese Cultural Centre and The Theatre Practice Education Project
For the school tour version, please click on the link below to find out more!
This section includes highlights of some of our media coverage.
Get to know: Ang Xiao Ting
In that sense, Recess Time is a simple form of outreach. It is a service; a quick respite. It brings neighbours together, and it is a wonderful springboard for all kinds of stories to emerge. I also hope word gets out, and we get to meet new friends and make new connections with people who may not necessarily step foot into the theatre.
Eatery where Rejected Veggies are the Stars
Indeed, the artful responses that Recess Time inspires proves that it offers a fresh take not just on discarded produce, but also the notion of what art is and how people can encounter it in their everyday.
Eat to your Arts' Content
But paying as you wish doesn’t mean that you get a lower quality of food at Recess Time—far from it. The chefs put their heart and soul into the preparation, flavour, and presentation of each and every plate they serve.
2017 - present
Recess Time is a lunch party at the heart of the Singapore arts district – 58 waterloo street! On selected Fridays, Makan Masters put their creative expressions on a plate, while foodies gather over a delicious, yet affordable meal. Limited reservation slots are available via our Facebook page.
Practice Tuckshop is proud to be a partner with SGfoodrescue for Recess Time! Combating food waste – one recess at a time!
Recess Time has served 30 lunches to date.
A Meal From the Heart: Enjoy a yummy three-course meal and drink, and get to know our chefs. You’ll never guess what these Makan Masters will be serving up!
Pop-up Communal Dining: Leave with a full stomach and meet our Kaypoh King/Queen, as we swap stories about our favourite memories associated with food!
Pay As You Wish: Eat your fill and donate after. Every dollar goes to funding Practice’s various outreach programmes (Recommended donation: $8).
Practice Tuckshop [2017-present]
58 WATERLOO STREET
As the programmer of Practice Tuckshop, I am in charge of curating and creating programmes for the f&b space located within the premises of a conserved shophouse in Singapore. All programmes, including the running of the space, consistently integrates green practices, such as reducing and converting food waste.
Welcome to Practice Tuckshop — a key programme of The Theatre Practice (Practice). It aims to be a creative playground, bringing together artists and audiences in a community atmosphere.
Located at the heart of the Waterloo Street Arts Belt, Practice Tuckshop is a cafe that celebrates the Practice kampung hospitality. Friends, families and creatives can gather over a cup of tea or coffee, cosy up with a selection of books by local celebrated playwrights , hold brainstorming meetings, or just drop by.
Run by a team of Tuckshop Guniangs, programmes at Practice Tuckshop are curated around unexpected intersectionalities. Past examples include: Food meets Storytelling! Differently-abled dancers meet intimate cafe quarters! The possibilities are endless. Practice Tuckshop programming is also artist-driven, hoping to cultivate a space where different communities can converge. With an open-door policy, we really mean it when we say: All are welcome!
Since its opening, Practice Tuckshop has been an advocate for sustainability in green practices. As this is an on-going effort, we constantly revise how to green-up our act!
Ang Xiao Ting, Joey Cheng, Sim Xin Yi